I blend my backgrounds in science and visual communication to bridge gaps between people whose respective conservation goals are best met through collaboration. I do this using photography, multimedia, and visual communication strategies, while pursuing academic endeavors as a teacher and student of the conservation photography discipline.
I walk a fine line between being a conservationist and a photographer, but at the root of my work is the still image.
I create visuals that depict a narrative for the purpose of sharing stories that are meaningful for conservation. Art and science continue to fuse in my work, as I seek opportunities to inform audiences about environmental issues. While most of my work focuses on endangered wildlife and threatened natural places, anthropogenic influences are always sought in my stories.
View my selects portfolio and other works here.
View one of my conservation photography projects here.
View Witness: Defining Conservation Photography, a multimedia piece I directed and produced for the iLCP here.
Intro to iLCP - Witness 3 mins
Video 
Chesapeake Bay RAVE multimedia
Video 
Great Bear TIS- Jasmine Thomas Interview
Video Gerald Amos - GBR TIS interview
Video 
Witness: Defining Conservation Photography
Video
Chesapeake Bay RAVE multimedia
by iLCP, Jenny Nichols
Produced in partnership with the Chesapeake Bay Foundation with imagery from the Chesapeake Bay RAVE.
Last December, EPA issued a science-based diet that—if achieved—would reduce pollution to our waterways. Just as progress is underway, powerful forces are working to derail the recovery effort. All of us who love the Bay and its rivers and streams must make our voices heard.
ACT
Watch this video, visit cbf.org/getinvolved, and write your state representatives. Tell them you care about clean water!
Chesapeake Bay RAVE
The Chesapeake Bay watershed covers approximately 64,000 square miles (164,000 km2) and comprises one of the most important estuaries in the North Atlantic. With rapid development along its shores destroying vast swaths of wetlands and buffering forest, and polluted with a steady increase in agrochemical runoff from the 1950s on, this once thriving estuarine ecosystem was headed toward collapse.
A forty-year campaign by The Chesapeake Bay Foundation and other stakeholders has gradually turned the tide, with current political will at the point of tipping toward long-term restoration and protection of the Bay. The Chesapeake Clean Water and Ecosystem Act (H.R. 3852/S. 1816) was introduced to both chambers of the United States Congress last October, on its way to mark-up at the end of this year. These two bills seek to amend the Federal Clean Water Act (Section 117) to ensure that the six states of the Bay watershed, plus the District of Columbia, develop and implement detailed plans to reduce pollution sufficiently to achieve Bay-wide pollution reduction targets for nitrogen, phosphorus, and sediment by 2025.
The Chesapeake Bay RAVE, a project of the International League of Conservation Photographers (iLCP) and the Chesapeake Bay Foundation (CBF), is a collaborative effort to highlight the importance of this legislation through photographs, video, and stories from across the Chesapeake Bay and its watershed. iLCP and CBF will use the collected media from the RAVE to document issues facing the Bay and to produce an exhibit of thirty photographs to premiere in September 2010 on Capitol Hill. The compelling visual media displayed will help facilitate news coverage on the urgency of the Chesapeake Clean Water and Ecosystem Act, advocating for the restoration of the Bay’s health and its protection in the long term. The expedition team is composed of iLCP photographers from across North America, including several who live within the Chesapeake Bay watershed.
Great Bear TIS- Jasmine Thomas Interview
by Neil Ever Osborne
Jasmine Thomas of the Saikuz nation
As part of the Great Bear Rainforest Tripods in the Sky (TIS) with Neil Ever Osborne.About the TIS
The Issues
Enbridge Inc. has a long history of pipeline oil spills throughout Canada and the US, including a ruptured pipeline in Michigan less than a year ago that spewed one million gallons of crude oil into the Kalamazoo river system. The Northern Gateway pipelines would cross sensitive salmon spawning habitat, bisecting more than 1,000 rivers and streams. Once the oil reached Kitimat, it would be loaded into super oil tankers and transported through the difficult-to-navigate routes, whose channels cross the Great Bear Rainforest, the largest temperate rainforest in the world. After reaching the coast, the oil would continue on to international markets, contributing to our global dependence on fossil fuels and the climate change crisis. The pipeline project has been called the defining environmental battle of our time; one that will define Canada's international reputation.The Assignment
In order to fully appreciate what is at risk, it is important to take stock of the ecosystems and people who will be affected by the pipelines. ForestEthics has enlisted LightHawk and the International League of Conservation Photographers to fly over the proposed pipeline route, taking aerial photographs and video footage to document the land and communities that would be impacted. By conveying the dramatic beauty of the landscapes and the tenacity of the people, this visual communication project will assist the campaign to stop the pipeline project from becoming a reality.Gerald Amos - GBR TIS interview
by Neil Ever Osborne
This is an interview by Amanda Follett and Neil Ever Osborne with Gerald Amos. Gerald is a Haisla Councillor, President of Coastal First Nations, and a grandpa. Interview was conducted in Kitamaat Village, near the town of Kitimat.
Witness: Defining Conservation Photography
by Neil Ever Osborne, Chad Stevens, with support from the iLCP
What is Conservation Photography?
Notable anthropologist Jane Goodall, National Geographic Editor-at-Large Michael Nichols, and International League of Conservation Photographers president Cristina Mittermeier, among many others, share candid thoughts on the power of photography and its value as an effective conservation tool. The narrative is accompanied by stunning photographic contributions from over 40 conservation photographers to illustrate the convergence between the conservation and photography realms.

